This much more light-hearted sequel reinvigorates the franchise after Disney's quirky but murky 2010 reboot of Lewis Carroll's classic, which sent the heroine into Underland (not Wonderland) for a dark adventure that spiralled into a Lord of the Rings-scale battle. Thankfully this time the odyssey remains personal, centred on lively characters rather than overwrought plotting. And Alice's time-travelling quest is both pointed and engaging.
After captaining her late father's ship on a global journey, Alice (Mia Wasikowska) returns to 1875 London to bad news: her mother (Lindsay Duncan) has made decisions that take her future out of her hands. As she struggles to respond, she is summoned back to Underland to help her friend Hatter (Johnny Depp), who is emotionally devastated by the fact that his entire family has been killed. So Alice decides to help by confronting Time (Sacha Baron Cohen) and stealing a device that will allow her to travel back to help the younger Hatter. But she also becomes entangled in the early life of the White and Red Queens (Helena Bonham Carter and Anne Hathaway), and the feud that grew between them as young sisters. Meanwhile, Time is terrified that Alice is unravelling the fabric of reality.
The emotional nature of Alice's mission adds a surprising layer of suspense to the entire film, while director James Bobin (The Muppets) adds a breezy comical tone to Tim Burton's stunningly visual designs. Some of the more wacky flourishes don't quite work (such as the "sea of time" imagery or Time's hand-powered vehicle), but the film more than makes up for these with wonderful character details. This lets the actors relax into their roles while cranking up the surreal touches. Wasikowska is great as the plucky heroine fighting for her right to control her own life, a strong point that's made without preaching.
Continue reading: Alice Through The Looking Glass Review
As Alice is once again taken into the magical and mysterious world that she's somehow connected to, Alice finds herself with her friends on the other side of the looking glass. Through Alice doesn't really know why, she's attached to the peculiar world and its inhabitants but her latest visit will put the young girl in grave danger.
The Red Queen has gained a dangerous new ally who is out to find the young blonde haired girl. As the clock ticks and tocks, the game of kings becomes a whole new reality and Alice must find a way to beat her opponents.
Alice in Wonderland: Through the Looking Glass is based on the characters from Lewis Carroll's novel and is produced by Tim Burton. The Muppets director James Bobin directs the feature film.
Alice once again returns to Wonderland and meets a lot of familiar faces. This time her biggest enemy is Time, quite literally. As the Blue Caterpillar reminds her, 'You've been gone too long, Alice there are matters that might benefit from your attention. Friends cannot be neglected.' Instead of falling down a rabbit hole, this time Alice gains entry to wonderland through a large mirror which takes her to a topsy-turvy universe which could only be associated with Wonderland. There appear to be a few differences between the book and the new film; whilst Lewis Carol's original version of the book was based six months after the original tale, the inclusion of Time might mean that Linda Woolverton's version make time travel much quicker in Wonderland. Again, Carol used many chess analogies in the book, at the moment its unknown how much this will play a part in the movie. The majority of the lead cast from Tim Burton's 2010 version of Alice in Wonderland including Johnny Depp as Mad Hatter, Helena Bonham Carter as the Red Queen and Anne Hathaway as the White Queen. Alice Through The Looking Glass was directed by James Bobbin who previously worked on the 2011 Muppets film and Muppets Most Wanted.
A fully-clothed sex scene in the JMW Turner biopic was the most complained-about film in Britain in 2014, according to the BBFC's annual report.
Mr. Turner has been surrounded by some confusing news stories ever since its release (like, why wasn’t it nominated for any of the major prizes at the BAFTAs and Oscars?) but none quite as inexplicable as this one. The British Board of Film Classification named the Mike Leigh-directed biopic as the most complained-about movie of 2014, because of a scene in which lead actor Timothy Spall “vigorously” clenches his buttocks, according to the Guardian.
The BBFC, which awards age certification for movies released in Britain, said that the scene featuring the artist JMW Turner and his housekeeper, played by Marion Bailey, in which Spall’s “clothed buttocks are seen clenching vigorously, before the scene cuts to a close-up of his face and his thrusting head and shoulders”, caused 19 people to complain about its sexual nature in a film deemed to be of 12A suitability.
Timothy Spall in Mr. Turner, bizarrely the most complained-about film in 2014
Continue reading: 'Mr. Turner' Draws More Complaints Than Any Other Movie Of 2014
Fresh off his success from Mr Turner, Timothy Spall is playing Fungus the Bogeyman.
Timothy Spall is to play Fungus the Bogeyman in Sky1's adaptation of Raymond Briggs' classic tale. The four-part series will co-star Keeley Hawes, Victoria Wood, Andy Serkis and Marc Warren.
Timothy Spall will play Fungus the Bogeyman in Sky1's Christmas adaptation
The show tells the story of a green slime-covered creature who lives underground, coming to the surface only to scare humans.
Continue reading: Timothy Spall To Play Bogeyman In Raymond Briggs Adaptation
Josh Gad will join Emma Watson, Dan Stevens and Luke Evans in the live-action adaptation of 'Beauty and the Beast'.
Josh Gad has become the latest actor to join the cast of the live-action adaptation of Beauty and the Beast. 34-year-old Gad has been cast as Le Fou, the villain Gaston's minion. Gad is best known for voicing Olaf in Disney's Frozen and for his roles in such films as The Internship and Jobs. Emma Watson (Harry Potter) has been cast as Belle, Dan Stevens (Downton Abbey) as the Beast and Luke Evans (Dracula Untold) as Gaston. Emma Thompson (Saving Mr. Banks) and Timothy Spall (Mr. Turner) are also rumoured to be in talks with the film's producers.
Josh Gad is set to play Le Fou in the upcoming live-action film of Beauty and the Beast.
Timothy Spall is one of Britain's finest character actors.
British actor Timothy Spall studied painting for two years to prepare for his role as JMW Turner in Mike Leigh's critically acclaimed drama Mr Turner. The movie is steadily gaining Oscars momentum, particularly for Spall, whose grunting performance as the infamous artist is considered one of the finest of the year.
Timothy Spall delivers one of the finest performances of the year in Mr Turner
Spall, probably best known to U.S audiences as Wormtail from the Harry Potter movies, even recreated Turner's famous Snow Storm - Steam-Boat off a Harbour's Mouth.
Continue reading: Timothy Spall Studied Painting For 2 Years To Prepare For 'Mr Turner'
Timothy Spall amid Oscar buzz for his leading role as J.M.W. Turner.
Timothy Spall is one of those actors who works regularly and is constantly acclaimed by the critics, but he's never been the leading man type. Much of his acclaim has been for roles in ensemble films ('Secrets & Lies', 'Topsy Turvy', 'All or Nothing') or as part of a larger award-winning cast (winning the SAG best cast award for 'The King's Speech').
Timothy Spall admits he learnt to paint for 'Mr Turner' role
Then his usual collaborator Mike Leigh asked him to play the iconic 19th century painter J.M.W. Turner in the biopic 'Mr. Turner', and Spall went home with the Best Actor award from this year's Cannes Film Festival.
Continue reading: Mr Turner Gives Timothy Spall The Role He Deserves In Artist Biopic
It's no surprise that Mike Leigh would take a distinctly original approach to the celebrity biopic, and this film about 19th century painter J.M.W. Turner is refreshingly unstructured and abrasive. By avoiding the usual formula, Leigh also reinvents the period drama as something almost startlingly realistic, packing the screen with sardonic humour and honest emotions that are extremely complex. And since it's about a painter, the film looks absolutely gorgeous, as Leigh and his ace cinematographer Dick Pope recreate the look of Turner's paintings on-screen.
The film is set in the 1820s, when Turner (Timothy Spall) is a celebrity on the art scene, courting controversy with his visceral landscapes. People either love or hate his work, but his financial success means he can do whatever he wants. Living with his father (Paul Jesson) and loyal housekeeper Hannah (Dorothy Atkinson), Turner openly challenges his critics. But his private life is just as tempestuous. He ignores the two daughters he fathered with Mrs Danby (Ruth Sheen) and has a second incognito life with the widow Sophie Booth (Marion Bailey), calling himself "Mr Mallard". Meanwhile, he continues to push boundaries in his work, challenging the status quo to such an extent that he becomes a joke in social circles.
Spall won the Best Actor award at Cannes for his astonishing performance as the fiercely independent Turner, a man who went to extreme ends to maintain his anarchic lifestyle and produce his distinctive paintings. In one key scene, he straps himself to a ship's mast during a storm so he can better capture the extreme weather in his work. Yes, Turner was a hurricane of a man, brushing off anyone who disparaged his art, including Queen Victoria. And it's no surprise that so few people liked him: Spall plays him believably as monosyllabic grump who growls more than he speaks.
Continue reading: Mr. Turner Review
Date of birth
27th February, 1957
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