Susanne Lothar

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Leonie Benesch and Susanne Lothar - Leonie Benesch and Susanne Lothar Friday 5th March 2010 at Academy Of Motion Pictures And Sciences Los Angeles, California

Leonie Benesch and Susanne Lothar
Leonie Benesch and Susanne Lothar
Leonie Benesch

Funny Games (1997) Review


Good
What happened to the good old fashioned insane killer? Where did he go? Can we get him back? Hell, it can even be a she these days. Come on, people, aren't you a little tired of being told "everything is OK?" Earlier this year, Rob Zombie's The Devil's Rejects had a family of murdering hillbillies that slashed and mutilated without rhyme or reason: They just liked it and, sometimes, it served a purpose. But we weren't given a real reason, and it made it all the more chilling. Think of the recent films that have been short of classic because of worn-out explanations; it really is heartbreaking (best example: Mark Romanek's One Hour Photo). Truth be told, you have to look at a movie like Michael Haneke's Funny Games and question what you think about cruelty, brutality, and safety, with stories like these running around.

So, everyone needs eggs, regardless of the cholesterol scares in the country. It is this need that brings Paul (Arno Frisch) and Peter (Frank Giering) to the summer home of a well-to-do couple and their son. Peter, a shy, young man, asks for a few eggs and is given them, but he drops them by accident. This continues to happen until Anna (Susanne Lothar), the wife, gets frustrated and asks him to leave. Then Peter enters, with the homicidal swagger of Frank Sinatra playing Hannibal Lecter. Peter thinks Anna is being rude to his friend and demands more eggs. What happens next? Details shouldn't be discussed further, but Peter and Paul put Anna, her husband Georg (Ulrich Mühe), and their son Georgie (Stefan Clapczynski) through a series of games that range from perverse to blood-curdling.

Continue reading: Funny Games (1997) Review

Funny Games Review


Good
What happened to the good old fashioned insane killer? Where did he go? Can we get him back? Hell, it can even be a she these days. Come on, people, aren't you a little tired of being told "everything is OK?" Earlier this year, Rob Zombie's The Devil's Rejects had a family of murdering hillbillies that slashed and mutilated without rhyme or reason: They just liked it and, sometimes, it served a purpose. But we weren't given a real reason, and it made it all the more chilling. Think of the recent films that have been short of classic because of worn-out explanations; it really is heartbreaking (best example: Mark Romanek's One Hour Photo). Truth be told, you have to look at a movie like Michael Haneke's Funny Games and question what you think about cruelty, brutality, and safety, with stories like these running around.

So, everyone needs eggs, regardless of the cholesterol scares in the country. It is this need that brings Paul (Arno Frisch) and Peter (Frank Giering) to the summer home of a well-to-do couple and their son. Peter, a shy, young man, asks for a few eggs and is given them, but he drops them by accident. This continues to happen until Anna (Susanne Lothar), the wife, gets frustrated and asks him to leave. Then Peter enters, with the homicidal swagger of Frank Sinatra playing Hannibal Lecter. Peter thinks Anna is being rude to his friend and demands more eggs. What happens next? Details shouldn't be discussed further, but Peter and Paul put Anna, her husband Georg (Ulrich Mühe), and their son Georgie (Stefan Clapczynski) through a series of games that range from perverse to blood-curdling.

Continue reading: Funny Games Review

The Piano Teacher Review


Excellent
Older innocence collides with youthful wisdom in this slow-moving but consistently impressive and unsettling look at spinsterhood. A startlingly bland-featured Isabelle Huppert stars as the title role, a woman so tied to her obsessive mother that she has grown up with unnaturally hindered emotional reactions.

At just over two hours long, one might assume that the inner turmoil would take exhausting eye strain to build, but writer/director Michael Haneke (from a novel by Elfriede Jelinek) craftily structures a detailed, deeply disturbing environment in the first five minutes. As Professor Kohut (Huppert) comes home late one night, her mother (Annie Girardot) violently searches her purse to gain some intelligence about what she's up to. A middle-aged woman forced to answer to a parent is enough, but Haneke takes this dysfunction a step further by concentrating on physical interaction. It's far more powerful to see these two women smacking each other than giving one another the stereotypical guilt-ridden lectures other family dramas often fall back on.

Continue reading: The Piano Teacher Review

Susanne Lothar

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The Piano Teacher Movie Review

The Piano Teacher Movie Review

Older innocence collides with youthful wisdom in this slow-moving but consistently impressive and unsettling look...

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