Ralph Waite

Ralph Waite

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Friends And Colleagues Pay Tribute To Late TV Actor Ralph Waite


Ralph Waite

Ralph Waite, a veteran TV actor known for his role in The Waltons and, more recently, recurring roles in Bones, NCIS and Days of Our Lives, has passed away at age 85. He died on Thursday, January 13, at his home in South Palm Desert, California, according to Desert Sun. His friend Jerry Preece told the news outlet that Waite had died of “a tired heart”, explaining that the actor’s health had been steadily deteriorating in recent months.

Since the announcement of Waite’s death, the casts and production teams of the shows he was part of have issued statements, honoring their late colleague.

The cast and crew of CBS’ NCIS, on which Waite played the father of Mark Harmon’s Gibbs, had this to say about the actor’s life and career (via Entertainment Weekly): “Everyone at NCIS is deeply saddened by the passing of our friend and colleague Ralph Waite. Ralph was family to us, a tremendous talent and a very special man. We truly cherish the time we had with him. Our hearts and prayers go out to his loved ones.”

Continue reading: Friends And Colleagues Pay Tribute To Late TV Actor Ralph Waite

Roots Review


Excellent
When you think of epic mini-series, what comes to mind? Rich Man, Poor Man? Shogun? More likely than not, it's Roots, the based-on-a-true story tale that spooled over 12 hours and six nights, the story of "an American family," albeit one that began captured in Africa in 1750, then sold into slavery in the U.S. colonies.

Roots begins with Kunta Kinte, emerging from childhood and undergoing warrior training in his tribal homeland. The slavers arrive soon enough, and after a harrowing three-month ride back across the Atlantic, Kunta is sold, becomes Toby under his new master, attempts repeated escapes, and eventually accepts his fate as he settles down with a wife and child. The Revolutionary War comes and goes, and Toby's daughter Kizzy is sold, becoming the mother of her new master's son, known as Chicken George. Chicken George in turn is sent to England to pay off a gambling debt. When he returns home after 14 years, he is a free man. The Civil War arrives, and the rest of the slaves are freed. Soon enough the family faces the perils of vehement racism and the KKK, and Chicken George finally leads his family to safety in a new settlement.

Continue reading: Roots Review

Silver City Review


OK
What are they using on the moviemaking plantation this election year to have produced such a bumper crop of Democrat-leaning political films? The fertile harvest may have something to do with outright fear of a Bush win in November. Or, determination to clarify the issues for swing voters still formulating their judgments.

Now, after Michael Moore's Fahrenheit 9/11, Robert Greenwald's Uncovered: The War on Iraq, France's The World According to Bush, the upcoming Bush's Brain, and many more, filmmaker John Sayles adds his satiric shovelful with Silver City, a (fictional) feature film which explores the ramifications of a political system that lends itself to corrupt and unseemly influences.

Continue reading: Silver City Review

Sunshine State Review


Very Good
One prominent theme has run through the recent work of maverick filmmaker John Sayles: the search for identity. A need to belong. A desire to know one's place in the world. Within Sayles's trademark ensemble pieces, characters try to define themselves, with many at a crossroads in their lives... whether they know it or not. Most of the beauty and irony with which Sayles tells their tales is present in Sunshine State, but Sayles's narrative is a bit short in comparison to his previous opuses.

The brilliance of Sayles's stories is that he places these people within a much bigger parallel -- a geographical or cultural landscape that's changing as much as its inhabitants are. In City of Hope, it was an unnamed New Jersey city with political problems. In Lone Star -- in my opinion, Sayles's true masterpiece -- it was an evolving Texas border town. In Sunshine State, it's the fictional town of Delrona Beach, a sleepy Florida locale whose land and people are in the process of being overrun by shrewd real estate developers.

Continue reading: Sunshine State Review

Sunshine State Review


Good

Another utterly captivating John Sayles ensemble piece with an incredible sense of a particular place and its personality, "Sunshine State" manifests the winds of change and uncertainty blowing mightily over a humble island township off the Florida panhandle that has been targeted for ravenous resort development.

Like "Lone Star," "Limbo" and other films from the iconic independent writer-director, this one transports you into the soul of its community through smaller pieces of the whole. Sayles paints a larger picture through the lives of individual denizens who are each struggling with a choice between the rich heritage of their fading pocket berg and the big money being offered by developers.

Some are rediscovering a spiritual connection to the town, like Angela Bassett, who plays a refugee from the island's black community, which made the place thrive in the 1940s before its culture began fading away with desegregation. She couldn't get away fast enough as a teenager -- although that might have been because she was pregnant and her parents were sending her away whether she liked it or not. She became an actress but never made it past infomercials. Now she has returned to visit her estranged mother (Mary Alice) for the first time with her handsome, affluent new husband (James McDaniel) on her arm.

Continue reading: Sunshine State Review

Silver City Review


Good

The most deadpan, dead-on, sharply focused political satire in recent memory, "Silver City" methodically skewers George W. Bush (by proxy), the spineless corporate press (and their mistrustful underground adversaries), the billion-dollar candidate-making machinery of modern politics, and the general gullibility of the voting public -- all within the inimitable interlocking-ensemble narrative style of writer-director John Sayles.

Set in Colorado during the current election cycle, the plot circles a dozen-odd characters around a political scandal in the making, set in motion by the discovery of a corpse during the filming of a gubernatorial campaign ad. The candidate is Dickie Pilager, an inarticulately folksy, uncorrupt but "user-friendly" son of a powerful ex-senator -- played to tongue-tied, Bush-mimicking exactitude by the subtly superlative Chris Cooper ("Adaptation," "The Bourne Identity," "American Beauty").

Pilager's merciless attack-dog campaign manager (Richard Dreyfuss, channeling Bush puppet-master Karl Rove), convinced his candidate is being set up for something sinister, hires a private investigator to intimidate a handful of potential saboteurs, including a spurned arch-conservative radio-show host (Miguel Ferrer) and Pilager's hard-living, black-sheep sister, played with delicious volatility by Daryl Hannah. But what he doesn't know is that his stooge (the complex, understated Danny Huston from "21 Grams" and "ivans xtc.") is a disgraced, disenchanted and depressed ex-loose-cannon newspaper reporter.

Continue reading: Silver City Review

Ralph Waite

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Ralph Waite

Date of birth

22nd June, 1928

Date of death

13th February, 2014

Occupation

Actor

Sex

Male


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Ralph Waite Movies

Silver City Movie Review

Silver City Movie Review

What are they using on the moviemaking plantation this election year to have produced such...

Advertisement
Sunshine State Movie Review

Sunshine State Movie Review

One prominent theme has run through the recent work of maverick filmmaker John Sayles: the...

Sunshine State Movie Review

Sunshine State Movie Review

Another utterly captivating John Sayles ensemble piece with an incredible sense of a particular place...

Silver City Movie Review

Silver City Movie Review

The most deadpan, dead-on, sharply focused political satire in recent memory, "Silver City" methodically skewers...

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