Adapted from both Guevara's The Motorcycle Diaries and Granado's Traveling with Che Guevara by Jose Rivera, Salles' episodic film follows the intrepid travelers as they leave family and friends behind in Buenos Aires and head for the rural countryside riding their beat-up metallic steed dubbed, ironically, "The Mighty One." Granado (Rodrigo De la Serna), a 29-year-old biochemist, and Guevara (Gael García Bernal), a 23-year-old student one semester away from getting his medical degree, had planned on being gone for four months, but their eventual odyssey would last twice as long, cover 8,000 miles, and forever change Guevara's way of looking at his homeland's social and economic inequity. As portrayed by Bernal and De la Serna, Che and Alberto are yin and yang, with Guevara's candid, charitable demeanor standing in sharp contrast to the more gregarious, hedonistic Alberto, and Salles' film makes great use of their complementary personalities during the duo's humorous antics to procure room, board, and booty from local businessmen and comely beauties. Salles' focus on the duo's push-and-pull chemistry gives the early stages of their trip a lighthearted joyousness, and Eric Gautier's expressive, ethereal cinematography of the Peruvian Andes and Chilean desert makes Che and Alberto's somewhat uneventful story - not a whole lot happens during the film's first two-thirds - sparsely lyrical.
Continue reading: The Motorcycle Diaries Review
However, both girls have other outlets for their feelings. Josefina has a boy whom she allows to come over and have sex with her, but only if she's turned away from him and he doesn't talk. Amalia's passions take a darker bent one day when she's out in the street with a crowd watching a man playing a spooky piece on a Theremin, when one of the doctors in town for the conference comes up behind her and rubs up against her suggestively. They don't say a word and she barely sees him as he scurries off. In what most would take as an unfortunate turn of events, this Dr. Jano (Carlos Belloso) is the man whom Amalia's mother Helena (the impossibly beautiful Mercedes Morán) decides to spark up a relationship with. But Amalia seems to take this as a challenge, as she sets about trying to save Dr. Jano from his own darker impulses, a mission that takes on certain romantic shadings the more involved she gets.
Continue reading: The Holy Girl Review
The title translates as "the swamp," but it's also the name of the Argentinean city that serves as the film's setting. In this sweltering backwater, two branches of the same large family are put back in contact when a pair of accidents lands a member of each in the clinic run by "the gringo," a local doctor. One group - a married couple with innumerable children and their constantly-present friends - lives in the city, comfortably, but still scraping to get by. The other - an heiress, her drunken husband, their innumerable children, and an indigenous housekeeper named Isabel - pass the hours in a lavish but crumbling estate attained through a ridiculously complex series of gates near the mountains outside La Ciénaga. When the city family pays their relatives a visit at this estate, the repressed drama of La Ciénaga gets underway.
Continue reading: La Ciénaga Review
The Argentina born Ernesto 'Che' Guevara (1928-67) was a revolutionary and a guerilla warrior for Castro, helping to sever Cuba's economic ties with the U.S. and to direct trade to the Communist bloc. In recent years, he has become a symbol for rebellion and an icon decorating numerous T-shirts, stickers and posters.
While in his 20s, Guevara, then known as Ernesto Guevara de la Serna, linked up with a pal, Alberto Granado, and embarked on an 8000-km trip across South America.
"The Motorcycle Diaries" visits this early part of Guevara's life. It could have been a brutal, intense, probing story of a fascinating personality, but unfortunately the film was directed by Oscar-winning soft-pedal Brazilian filmmaker Walter Salles. This is the equivalent of getting Mike Nichols or Ron Howard to direct a biopic of Sid Vicious.
Continue reading: THE MOTORCYCLE DIARIES Review
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