Under The Skin Review
Scarlett Johansson goes off the radar in this low-budget Scottish thriller, which is far more offbeat than anything she's ever done before. Her fans are likely to be perplexed by the film's lack of any meaningful dialog, its ambiguous plot and relentlessly artful imagery. But inventive filmmaker Jonathan Glazer (Sexy Beast) has created one of the most atmospheric sci-fi horror movies in recent memory.
Just outside Glasgow, an alien creature assumes the shape of a woman (Johansson) and starts prowling the city streets in search of men. With disarming flirtation, she sparks the sexual appetites of a series of guys, luring them into her inky lair, where they're trapped like bugs in a roach motel. But some unexpected events get her thinking about human sexuality, so she decides to explore it herself. With the next guy, she has a go at romance, and then later she puts herself into a startlingly vulnerable situation. But by going off the grid, she alerts her alien cohorts that something isn't quite right.
By refusing to use standard storytelling or filmmaking techniques, Glazer has made a movie that feels like it comes from outer space. But while we never get a grip on any of the characters, we can easily identify with the yearning emotions they're feeling. Which draws us in on a deeper level than we expect. In this respect, Johansson's performance is unusually subdued. Setting her glamorous Hollywood image aside, she becomes a lost soul who almost looks frumpy (she's still gorgeous enough to get any man she wants), and her search for meaning in human sexuality is fascinating.
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