Moore claims his film is not really about politics. And yet, even before Fahrenheit 9/11 is released, there is already more than enough controversy to go around. Moore's film walked away with the top prize at the Cannes Film Festival, but Disney backed out of the deal to release it. While Fahrenheit eventually landed with Lions Gate, this early firestorm is just the kind of publicity Moore relishes.
Continue reading: Fahrenheit 9/11 Review
Moore flies from city to city to expose the Hard Times he's become well known for. A Payday factory is shut down. Borders workers in Des Moines are getting wages deducted for a health plan that has no doctor in the city. Moore complains about vegetables on his McDonald's fish sandwich and how life went in the toilet in Flint, Michigan. He goes on a tirade (admittedly, a hysterical tirade) about how Steve Forbes (then running for president) was an alien. He gives a lot of speeches. He shepherds the unemployed (who mysteriously seem to lose their jobs the one day he's in town). And eventually he sets his sights on Phil Knight and Nike, whose outsourced manufacturing has long been rumored to be the product of child labor.
Continue reading: The Big One Review
Moore's disgust for the corporate machine so proudly displayed in Roger & Me rears its head again in Bowling for Columbine, but it's just one piece of an enormously ambitious puzzle that Moore attempts to solve: Why is America such a remarkably gun-violent society?
Continue reading: Bowling For Columbine Review