Karl Johnson

Karl Johnson

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Mr Turner Trailer


Director Mike Leigh has made a new biopic about one of Britains finest landscape artists, J.M.W. Turner. 'Mr Turner' will see key events of Turner's life like the death of his father which had a profound effect on him; as well as the relationships he built such as the one with his housekeeper who loves him, but he underappreciates. The film will tell the story of Turner's legacy which saw him help pioneer landscape painting with his works, helping the style rival history painting.

As well as being skilled at landscape painting, Turner was also known for being well versed in watercolour landscape painting. He was considered an anarchistic character in his life, due acts such as strapping himself to a ship, in order to paint a storm.
The film is directed by Mike Leigh (Happy-Go-Lucky, Another Year, Vera Drake), who's expressed that he wanted to make a film that captures Turner's personality, which Leigh describes as complex and compulsive. 'Mr Turner' is set to be released in the UK on the 31st of October 2014.

The Deep Blue Sea Review


Excellent
Based on the 1952 Terence Rattigan play, this exquisitely made British drama moves at its own slow pace, pitting repressed emotions against reckless passion. It's also rather gloomy and downbeat, almost reluctant to let us see glimmers of hope in the story.

Hester (Weisz) is tormented by the trajectory of her life: the wife of High Court judge Sir William (Beale), she has fallen for the dashing Battle of Britain pilot Freddie (Hiddleston), who lets their physical relationship dissipate as he struggles to find a role in society after the war. Now isolated and desperate, Hester attempts suicide but only succeeds in making her life worse. Freddie is furious, and William is unnervingly caring. She's caught between the devil and the deep blue sea: is there any way she can have a happy life?

Continue reading: The Deep Blue Sea Review

I Know You Know Review


Good
With a strongly nostalgic tone, Kerrigan gives this subtly understated thriller a provocative emotional kick. Despite a slightly contrived script, solid performances make the film both haunting and thoughtful.

In 1988 Wales, 11-year-old Jamie (Fuller) loves hanging out with his dad Charlie (Carlyle). After the summer holiday, Jamie starts in a new school with a new bully (Flynn). But he's becoming increasingly aware that his dad has a double life that involves shady friends (Bradley), guns and an arch-nemesis posing as a satellite-TV company. Is Charlie a hitman or a super spy? And will they be moving to a luxurious life in America as promised? Or is something else going on here that Jamie's only beginning to understand?

Continue reading: I Know You Know Review

Is Anybody There? Trailer


Watch the trailer for Is Anybody There?

Continue: Is Anybody There? Trailer

The Illusionist Review


Weak
There's something in Paul Giamatti that was just made for the 19th century. With those slightly bulbous but penetrating eyes and stolid weariness, one can imagine him looking out of an old daguerreotype with hat in hand, an emblem of a less superficial age. So it's nice to see Giamatti (so often made to play the whiny comic relief) cast in the otherwise dismissible film The Illusionist as a gruff policeman in fin de siècle Vienna, dropping his voice into a lower register than usual and assuming an impressive stature; honorable but shaded with a tiny bit of incipient corruption. If only everything else in the film worked this well.

Based on a short story by Steven Millhauser, a Pulitzer winner given to tidy exposition and nostalgic settings, The Illusionist concerns a stage magician who was separated from the love of his love due to his peasant roots and her aristocratic family, only to meet her years later on stage, when she is betrothed to a villainous crown prince. The magician, Eisenheim, is played stiffly by Edward Norton, without a shred of humor or self-awareness. Somewhat in keeping with his performance is that by Jessica Biel as his beloved, Sophie von Teschen -- whose beauty helps brighten these lamp-lit rooms, but who is never close to believable as a Viennese noblewoman. Rather more in keeping with the spirit of the rather melodramatic story is Rufus Sewell, as the evil Crown Prince Leopold, who swans through the film with cigarette holder perched lightly in one hand, his face a deliciously, maliciously bored mask.

Continue reading: The Illusionist Review

Love Is The Devil Review


Weak
What if MTV made a movie about painter Francis Bacon... what would that be like? Okay, why the hell would MTV make a movie about Francis Bacon!? Both of these questions come to mind while watching Love Is the Devil, a fairly wretched film that likes to shock you with plenty of male nudity.

Love Is the Devil is one of few films that is probably just as good -- if not better -- with the sound turned off. Listening to Bacon (Jacobi) talk incessantly to his gay lover George (Craig), whom he meets when he breaks into his studio, gets nuaseating after about 20 minutes. Watching the film is nauseating too, but only because of all the camera trickery. Overall, this is pretty cool -- though you realize quickly that it's a crutch to avoid showing you none of Bacon's art, since they couldn't get permission to do so for the movie. No surprise -- Bacon isn't exactly a hero here.

Continue reading: Love Is The Devil Review

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Karl Johnson Movies

Mr Turner Trailer

Mr Turner Trailer

Director Mike Leigh has made a new biopic about one of Britains finest landscape artists,...

The Deep Blue Sea Movie Review

The Deep Blue Sea Movie Review

Based on the 1952 Terence Rattigan play, this exquisitely made British drama moves at its...

I Know You Know Movie Review

I Know You Know Movie Review

With a strongly nostalgic tone, Kerrigan gives this subtly understated thriller a provocative emotional kick....

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Is Anybody There? Trailer

Is Anybody There? Trailer

Watch the trailer for Is Anybody There? Edward is a young boy who lives with...

The Illusionist Movie Review

The Illusionist Movie Review

There's something in Paul Giamatti that was just made for the 19th century. With those...

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