Pudsey is tired of living alongside his cooing middle-aged owner and decides to embark on a solo journey across town. Soon enough though, he meets teenagers Molly, George and Tommy - siblings who he spectacularly saves from some bullies - who take him in with the promise of a treat for his bravery. However, the children are bereft after the death of their father and their mother is moving them to an isolated country village. Pudsey decides to join them, despite the new landlord Mr. Thorne's objections, and he makes friends with some of the farmyard animals. He soon discovers that Mr. Thorne's hatred of dogs is not the only questionable thing about him and he starts to uncover a dastardly plan unfolding. Will this little dog manage to thwart Mr. Thorne and save the town?
Following the spectacular win of Pudsey the dog and his young trainer Ashleigh Butler on the sixth series of 'Britain's Got Talent', the dancing pooch embarks on a screen adventure with 'Pudsey The Dog: The Movie'. The charming comedy film has been directed by BAFTA nominee Nick Moore ('Wild Child', 'Horrid Henry: The Movie') and written by Paul Rose ('Dani's House', 'My Parents Are Aliens'), and will reach UK cinemas on July 18th 2014.
Harry Potter is growing up, and so is his movie franchise.Under the tutelage of a new director -- Alfonso Cuarón, known for both children's fare (the 1995 remake of "A Little Princess") and an edgy, insightfully soulful, sex-charged teen road-trip flick ("Y Tu Mama, Tambien") -- the boy wizard has graduated from the world of kiddie movie spectacles with tie-in toys.
"Harry Potter and the Prisoner of Azkaban" is a film in which depth of character, cunning humor and hair-raising chills come shining through the visual blitzkrieg of special effects -- which are also magnificently improved over the series first two installments. Case in point: a half-horse, half-eagle creature called a Hippogriff that gives "Lord of the Rings'" Gollum a run for his money as the most life-like CGI creation in cinema history.
Beyond just its detailed feathers (which fluff when it shakes) or its golden eyes (which bore holes in the screen with obstinate personality), this winged equine's every movement, from its canter to its peck, is a studied yet natural, amazingly fluid amalgam of the two beasts that were combined to create it.
Continue reading: Harry Potter And The Prisoner Of Azkaban Review
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