Continue reading: Prince Of The City Review
That's pretty much the story, with rising star Robert De Niro strangely inserted into the movie to take advantage of his upcoming celebrity (he's a bicycle racer that falls for the gang leader's (Jerry Orbach) kid sister (Leigh Taylor-Young, completely lost here). The bulk of the film has Orbach and co. scheming endlessly to off Stander's Baccala, and over and over it fails to amuse us, even when a live lion is thrown into the mix. That's the film. If it weren't for Villechaize, there'd be nary a laugh in the whole movie, and even that kind of comedy is hardly highbrow.
Continue reading: The Gang That Couldn't Shoot Straight Review
However, after watching the movie recently, the key to the movie's limitless charm is revealed to be due to the presence of Jennifer Grey. Without her performance, the movie is a flop, Bill Medley isn't cool again and, well, Swayze and Grey drift into irrelevance a year or two earlier.
Continue reading: Dirty Dancing Review
Although McKay - whose irritating narration, the usual guff about moving to New York from Indiana and just how exciting it all was, brackets the film - never really posits what exactly he's on about with "The Golden Age," two things quickly become clear: The time period he and his subjects want to talk about is Broadway theater from the 1930s to the 1950s, and that period really would have been something to behold. The cavalcade of interviewees all point to not just the embarrassment of riches that were around then in terms of both the material (Lerner & Lowe and Rodgers & Hammerstein were like musical hit factories, not to mention the new dramatic work being produced by the likes of Tennessee Williams and Arthur Miller) and the talent, but another very simple factor: It was cheap. In a time of $480 The Producers tickets, it's partially nice but mostly infuriating to know that not so long ago it could cost less to go to a Broadway show than the movies.
Continue reading: Broadway: The Golden Age, By The Legends Who Were There Review
What money is that? Oh, just $30 million, left to Montgomery Brewster (Richard Pryor) by his sole relative. The catch? The real inheritance is $300 million -- and if Monty wants it, he has to spend the $30 million in 30 days, and at the end of that time he can't have any assets to show for it. Oh, and he can't tell anyone what's going on, either.
Continue reading: Brewster's Millions Review
Though it's still good, pop this Special Edition DVD into your player and you're instantly greeted with a crash of noise. Beauty lets you know right from the start that it is not a subtle film, full of bluster and fire and singing and talking everything. (And everything talking at the top of its lungs.)
Continue reading: Beauty And The Beast (1991) Review
A little meandering, a little lost, and a lot grim, Uli Edel's cult classic tells...
Self-indulgent to a fault and brusquely shoved together without much of a sense of rhythm,...
Often considered the best animated film ever -- and the only one to ever be...