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Annie Review


Weak

A solid cast bodes well for this unnecessary remake of the 1982 movie (based on the 1970s musical), but the filmmakers' decision to turn the catchy songs into bland pop numbers is the real mistake. It leaves the entire film feeling empty, highlighting director Will Gluck's clunky direction, which includes coaxing Cameron Diaz to a squirm-inducingly over-the-top performance. Young children probably won't mind, but as the movie lurches awkwardly from one messy set piece to the next, the lack of a decently arranged musical number makes everything look dull and witless.

In Harlem, 10-year-old Annie (Quvenzhane Wallis) is an orphan living in a foster home with four other girls, run by the greedy Miss Hannigan (Diaz). Smart and quick-witted, Annie longs for a day when she can be reunited with her parents. Then she has a run-in with Will Stacks (Jamie Foxx), a workaholic mobile phone executive who's running for New York mayor. Will's advisor Guy (Bobby Cannavale) suggests that he take Annie in temporarily to boost his poll numbers, and once settled in his spacious penthouse apartment she immediately charms Will's assistant Grace (Rose Byrne) and driver Nash (Adewale Akinnuoye-Agbaje). And she begins to work her way into Will's heart as well.

From here, Gluck completely misses the point of the play, trying desperately to crank up a ridiculous scam subplot into some big final-act action mayhem. But this never gains any traction at all because it's clear what has to happen in the story. Indeed, the best thing on screen is the strong chemistry between Foxx and Wallis, who find moments of genuine humour and connection even in the silliest slapstick. And they seem almost reluctant every time they have to dive into yet another insipidly revamped song. Pop star Sia worked on them, but loses all the charm in the attempt to turn each one into a chart-topping clone. Fans of the original music will enjoy the brief riffs of the originals audible here and there, and they'll leave the cinema wanting to revisit the old numbers instead of these Frankenstein versions.

Continue reading: Annie Review

This Means War Review


Very Good
A lively pace and a nicely warped sense of humour help make this paper-thin action-comedy a mindlessly enjoyable romp. Sure, the central romantic triangle never really gels, but the bromance subplot is rather sweet.

Frank (Pine) and Tuck (Hardy) are best-pal CIA operatives who wouldn't know the word "subtle" if it clubbed them over the head. After a chaotic case in Hong Kong, they're grounded back home in L.A., and both decide to use the down time to find women. The problem is that they find the same woman, Lauren (Witherspoon), who struggles to decide which one is right for her. Certainly her married best pal Trish (Handler) is no help. The bigger problem is that Frank and Tuck use the agency's resources to sabotage each other.

Continue reading: This Means War Review

The Karate Kid Review


Good
Even though it's corny, unnecessary and far too long, this remake of the 1984 hit is surprisingly engaging. This is mainly due to the crowd-pleasing story and a relatively understated performance from Jackie Chan.

Dre (Smith) is annoyed when his mother (Henson) moves from Detroit to Beijing, where he's mercilessly bullied by a gang of schoolboy thugs led by Cheng (Wang Zhenwei). Sure, there's the cute violinist (Han) to distract him, but things don't really start looking up until the maintenance man (Chan) agrees to teach him kung fu. Now Dre has three goals: learn skills to defend himself, compete in an upcoming tournament against Cheng and his evil mentor (Yu), and of course get the girl.

Continue reading: The Karate Kid Review

Seven Pounds Review


OK
Consumed by remorse and despair, a successful businessman gives up all hope after accidentally killing six strangers and his beloved wife. To make amends, he decides to off himself and donate his bodily organs to seven strangers.

That's Seven Pounds in a nutshell, and it sounds more like Saw 6 than a holiday drama reuniting Pursuit of Happyness director Gabriele Muccino with Will Smith. But unlike Happyness, the feel-good movie of 2006, Seven Pounds is just the opposite -- a feel-bad movie -- and its unpleasant aftertaste lingers in your mouth for days. After watching this depression-inducing saga of sadness, you'll need a Zoloft prescription.

Continue reading: Seven Pounds Review

The Secret Life Of Bees Review


Bad
Caucasians, apparently, have no soul. Or heart. Or common sense. According to the movies, whenever the majority lacks a moment of personal clarity, they seek solace, advice, and sage-like wisdom from the groups they marginalized for centuries. As a result, some manner of karmic comeuppance is achieved. The latest example of this Bagger Vance-ing of inferred race relations is The Secret Life of Bees. Set in the percolating days of the Civil Rights Movement, this weepy feel-good sampling of you-go-girl saccharine has some real value. But it can't avoid the sugared-sap clichés that have helped to craft this particular motion picture subgenre.

Lily (Dakota Fanning) lives in rural South Carolina with her no-account abusive redneck daddy T. Ray (Paul Bettany) and the family housekeeper Rosaleen (Jennifer Hudson). Her mother died when she was very young, and the circumstances have haunted the young girl ever since. When President Johnson signs the Voting Rights Act of 1964 into law, Rosaleen decides to register. In the process, she is assaulted, beaten, and arrested. In a moment of opportunity, she escapes the police, and takes Lily out on the run. They wind up in the care of the Boatwright sisters -- August (Queen Latifah), June (Alicia Keys), and May (Sophie Okonedo). Successful beekeepers, their safe haven gives Lily a chance to face the demons from the past and plot a course for the future.

Continue reading: The Secret Life Of Bees Review

Lakeview Terrace Review


Bad
Lakeview Terrace is the seventh film directed by playwright Neil LaBute and it is, by a wide margin, the director's weakest effort to date. A domestic thriller built on brittle tension, the film brandishes racial conflict and flailing machismo before revealing that it has little insight into either topic. Depending on who you talk to, these facts are burdened or lightened by the appearance of the ever-ostentatious Samuel L Jackson.

Set in an affluent corner of a Los Angeles suburb, Jackson enters the screen quietly as Abel Turner, a veteran member of the LAPD. On any given day Abel is either the best parent and neighbor you've ever met, or a lumbering, blue nightmare. The latter opinion is that of Chris and Lisa Mattson (Patrick Wilson and Kerry Washington), a young, interracial couple from Chicago who have just bought the house next to Turner's. She designs clothing while he works for an all-natural supermarket chain named Good. Abel isn't fond of seeing a pretty black woman with a white boy, but his bigger problems are with domestic decorum.

Continue reading: Lakeview Terrace Review

Hancock Review


OK
It doesn't happen in many movies, but there's something I like to call the "drop-off point" to describe when a movie turns bad very suddenly. The drop-off point of Hancock occurs at the beginning of the third act, and I can't describe it fully without spoiling the ending, but I will say the movie gets bad precisely when the ghetto superhero Hancock (Will Smith) gets thrown out of a window onto a car. From thereon, as fast as Hancock can dive off a building, the movie plunges deeper and deeper into the depths of stupidity and failure.

That's disappointing, because before the drop-off point, Hancock is surprisingly good. The movie's best as a comedy and worst when it tries to get serious. Hancock is a tragically misunderstood, alcoholic super human of sorts; he's what would have happened to Superman if the Kents were unstable parents. Bulletproof, capable of flying, and strong as an ox, Hancock possesses all the physical traits to be a superhero but lacks any of the heroic characteristics. Everybody in Los Angeles hates this guy, because the damage he causes while nabbing criminals costs the city more to repair than the criminal acts themselves.

Continue reading: Hancock Review

I Am Legend Review


Very Good
To the modern eye, the plot for the 1954 Richard Matheson novel I Am Legend might sound something like Cast Away with zombies. Truth be told, that's not a terrible premise, and Constantine director Francis Lawrence runs with it in this third film adaptation of the novel (and first to keep its title). Where he takes it may not always work, but he makes sure we enjoy the ride.

Will Smith plays Robert Neville, a virologist investigating a genetically engineered cure for cancer that has gone very, very wrong. With most of the world's population wiped out and a small remnant turned into ravenous, infected carriers, Neville ekes out a lonely existence with only a dog for company in the remains of New York City, hunting, foraging, and exploring by day and shutting himself in at night. The infected, as it turns out, are vulnerable to ultraviolet light.

Continue reading: I Am Legend Review

The Pursuit Of Happyness Review


Very Good
There is a part of The Pursuit of Happyness -- most of the last third, honestly -- that is just plain too bleak. It's taking an eternally optimistic guy just trying to scrape by and doing more than making things rough for him; it's kicking him in the crotch and spitting on him, and maybe humiliating him a little bit. It's some really holiday good cheer.

Chris Gardner (Will Smith) is one of those downtrodden guys for whom better times are always just around the next corner. He's a salesman, hawking some over-priced and under-used equipment to hospitals around San Francisco. What Chris wants is a better life for his family, his angry and overworked wife Linda (Thandie Newton, unconvincing with her brittle, bottled up range) and his delectably cute five-year-old Christopher (played by Smith's real-life son Jaden -- or, as he's loftily billed in the credits, Jaden Christopher Syre Smith). And the idea he latches onto, because it does not require a college education, but could still pay off big time, is to become a stockbroker.

Continue reading: The Pursuit Of Happyness Review

Atl Review


Weak
Watching Chris Robinson's ATL - hip code slang for Atlanta (and just when I got comfortable calling it "Hot-lanta") - we should have no doubt that this coming-of-age story plays out on the streets of the Southern metropolis.

Unfortunately, aside from a few tastes of local flavor, this buffed-clean Boyz n the Hood could have been set on either side of the Mason-Dixon line. The mansions meant to represent the city's wealth could stand beyond any iron gate in Beverly Hills. The greasy spoon diner that attracts the film's high school slackers could be housed in Greenwich Village - the fact that the kids order sweet tea doesn't automatically make ATL southern. Heck, the film's life lessons are obvious to anyone, whether they're from the streets or the suburbs.

Continue reading: Atl Review

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James Lassiter Movies

Annie Movie Review

Annie Movie Review

A solid cast bodes well for this unnecessary remake of the 1982 movie (based on...

This Means War Movie Review

This Means War Movie Review

A lively pace and a nicely warped sense of humour help make this paper-thin action-comedy...

The Karate Kid Movie Review

The Karate Kid Movie Review

Even though it's corny, unnecessary and far too long, this remake of the 1984 hit...

Seven Pounds Movie Review

Seven Pounds Movie Review

Consumed by remorse and despair, a successful businessman gives up all hope after accidentally killing...

The Secret Life of Bees Movie Review

The Secret Life of Bees Movie Review

Caucasians, apparently, have no soul. Or heart. Or common sense. According to the movies, whenever...

Lakeview Terrace Movie Review

Lakeview Terrace Movie Review

Lakeview Terrace is the seventh film directed by playwright Neil LaBute and it is, by...

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Hancock Movie Review

Hancock Movie Review

It doesn't happen in many movies, but there's something I like to call the "drop-off...

I Am Legend Movie Review

I Am Legend Movie Review

To the modern eye, the plot for the 1954 Richard Matheson novel I Am Legend...

The Pursuit of Happyness Movie Review

The Pursuit of Happyness Movie Review

There is a part of The Pursuit of Happyness -- most of the last third,...

Atl Movie Review

Atl Movie Review

Watching Chris Robinson's ATL - hip code slang for Atlanta (and just when I got...

Saving Face Movie Review

Saving Face Movie Review

Because it's playing in the art house circuit and most of the dialogue is Chinese,...

Hitch Movie Review

Hitch Movie Review

Hitch asks one question: Just how far can a film coast on Will Smith's charm...

Ali Movie Review

Ali Movie Review

It saddens me to think that when most kids today see the name "Ali," they...

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