Sin Destino

Fifteen-year-old Fran (Francisco Rey), a homeless coke addict, has no way to get by other than to prostitute himself to dirty old men. His best friend/dealer/enabler David (David Valdez) eggs him on, giving him money when he needs it, offering a crash pad, and promising to help him have sex with a woman for the first time. (Wait until you see the woman!) Life for Fran goes from trick to trick, from snort to snort. He's well aware of the mess his life has become, and he's well aware of how it all came to this.

Flashbacks fill us on the truly nasty realities of Fran's lost childhood. First lured into the backroom photo studio of dirty old Sebastian (Roberto Cobo) at the age of nine, Fran became his kept boy, a sort of sex slave, for several years before running away.

Now Sebastian suddenly shows up again and has the audacity to ask Fran to pick up where they left off. Why not, proposes Sebastian. You need your drugs, and I need to run my filthy arthritic hands all over your body. But Fran isn't biting, and in a stinging scene he furiously accuses Sebastian of stealing his childhood and destroying him, turning him into the feral street kid he is now.

At the same time, Fran is captivated by the girl next door, the beautiful blonde Angelica (Mariana Gaja), a vision who really stands out in a crowd of black-haired Mexicans. Fran turns on the flirt, and despite the fact that he's an unclean drug addict, Angelica decides to be his girl, probably not a wise choice in an environment where everything is destined to spiral in a downward direction.

Sin Destino is rough stuff, with lots of angry sex and dangerous drugs and even one coke-fueled orgy that looks like something out of a Peter Fonda movie circa 1967. It's been much noted that the film is a direct descendant of Luis Buñuel's Los Olvidados, and as it turns out, co-star Roberto Cobo appeared in that film, too, drawing a direct line between the movies. (The most interesting DVD extra shows Cobo giving a few acting tips to the untrained Francisco Rey, who listens avidly even if he finds the old master comically theatrical.)

When a couple of bodies are chopped up, put into black garbage bags, and driven to a location in the middle of nowhere for dumping, it seems like just another day at the office on these mean streets. Sin Destino is inconsistent and somewhat cobbled together, but it definitely has moments of painful pathos.