May

"Very Good"

May Review


How refreshing, after the mild thrills of movies like Final Destination 2 and Wrong Turn, to watch a horror movie with some inner life. It's easy to describe Lucky McKee's May in terms of its similarities to other films; it owes a lot to Brian DePalma's Carrie (lead actress Angela Bettis even played Carrie in the TV-movie redo), with its meek anti-heroine and eventual havoc. To that end, it also brings to mind the Willard remake from earlier this year, with its darkly funny approach to a social outcast, and even bears a passing, coincidental resemblance to sort of a horror version of 2002's Secretary. But May is its own film, made with confidence and skill.

The title character (Bettis) does not have telekinetic powers or a special relationship with rats, although she does work as a vet's assistant. She is an awkward, lonely girl; we see in flashbacks that she was rejected as a child: By other children, because of her lazy eye (and resulting eyepatch); and by her parents, through general indifference and for reasons not entirely known. We see her mother present May with a doll on her birthday, but won't let May take it out of the box, not wanting to "ruin" it; years later, the doll is May's only friend.

I realize this sounds campy, and some of it is certainly close. But like Willard, May generates genuine sympathy for its title character, and wrings humor honestly, not relying on laughs as cheap entertainment insurance. The details of McKee's script come through in quieter moments, and they have a willful perversity that most horror directors reserve exclusively for death scenes. The animal hospital, for example, is the site of several gruesomely funny exchanges (watch for a dog owner's panic about his pet's leg) alternating with the flirtations of May's co-worker Polly (Anna Faris, splitting the difference between sly and goofy).

Both Polly and Adam (Jeremy Sisto, also in Wrong Turn), the object of May's affection, are initially attracted to May because they claim to "like weird." Adam shows May his twisted student film (her evaluation is fairly priceless), but balks at May performing what could lightly be called an homage to his work. One of the movie's more interesting observations is how "liking weird" is often actually an exercise in enjoying predetermined limits; both Polly and (especially) Adam clearly try to indulge their dark sides, and are freaked out when confronted by May's genuine strangeness. It's to Angela Bettis's credit that we "like weird" for most of the movie, even when things get a bit bloody.

As good as Sissy Spacek was in Carrie, that character had a wispy fragility that could make her pitiable, even irritating. Bettis's May is not always of sound mind and at times can barely get a sentence out, but she's an oddly endearing creation. Late in the film, there are several scenes where May, after further rejection, begins to coldly adapt more conventional speech patterns, and Bettis does wonders with words like "dude" and "gams." It's an expertly tragicomic performance.

May's final act is both clever and, after a point, broadly telegraphed; this, in turn, creates an odd combination of tension and impatience as the more outwardly horrific elements of the movie begin to appear. Still, I was especially surprised by the reminder of how gore can be used effectively. I admired the special effects and choreography of, say, Final Destination 2, for example, but without much response more primal than "whoa." Nothing in May is as creative as those Rube Goldberg gore-traps, but it had me flinching more often than not.

If there's a slight whiff of student-film obviousness coming from McKee's labor of love (rife with metaphorical glass-cracking and eye-scratching), it at least feels like classical student-film obviousness. Self-aware sans smarminess, more unsettling than jump-in-your-seat frightening, May is an auspicious (if under-seen) start for McKee, and the best horror film of the year so far that doesn't feature Crispin Glover.

May showers bring June bugs.



May

Facts and Figures

Run time: 93 mins

In Theaters: Friday 11th April 2003

Box Office Worldwide: $150.3 thousand

Budget: $500 thousand

Distributed by: Lionsgate Releasing

Production compaines: A Loopy Production LLC, 2 Loop Films

Reviews

Contactmusic.com: 3.5 / 5

Rotten Tomatoes: 69%
Fresh: 44 Rotten: 20

IMDB: 6.7 / 10

Cast & Crew

Director:

Starring: as May Dove Canady, as Adam Stubbs, as Polly, as Blank

Contactmusic


Links



Advertisement

New Movies

Colossal Movie Review

Colossal Movie Review

It's rare to find a movie that so defiantly refuses to be put into a...

King Arthur: Legend of the Sword Movie Review

King Arthur: Legend of the Sword Movie Review

It's unlikely that Guy Ritchie could make a boring movie if he wanted to. This...

Snatched Movie Review

Snatched Movie Review

It doesn't really matter that the script for this lively action-comedy is paper thin: teaming...

Jawbone Movie Review

Jawbone Movie Review

Boxing movies aren't usually this thoughtful. Sure, there are plenty of punchy moments in the...

Whisky Galore! Movie Review

Whisky Galore! Movie Review

Scottish filmmaker Gillies MacKinnon (Hideous Kinky) remakes the 1949 Ealing comedy classic, although it's difficult...

Alien: Covenant Movie Review

Alien: Covenant Movie Review

Master filmmaker Ridley Scott is back to continue the story 10 years after the events...

The Journey (2017) Movie Review

The Journey (2017) Movie Review

A fictionalised account of real events, this drama is reminiscent of Peter Morgan's work in...

Advertisement
Sleepless Movie Review

Sleepless Movie Review

In remaking the 2011 French thriller Sleepless Night, the filmmakers have dumbed down both the...

Unlocked Movie Review

Unlocked Movie Review

By injecting a steady sense of fun, this slick but mindless action thriller both holds...

Lady Macbeth Movie Review

Lady Macbeth Movie Review

A seriously impressive feature directing debut with a star-making central performance, this period British drama...

Guardians of the Galaxy Vol. 2 Movie Review

Guardians of the Galaxy Vol. 2 Movie Review

It was never going to be easy to match the impact of 2014's Guardians of...

The Promise Movie Review

The Promise Movie Review

The director of Hotel Rwanda, Terry George, turns to another humanitarian horror: the systematic murder...

Their Finest Movie Review

Their Finest Movie Review

Skilfully written, directed and acted, this offbeat British period film tells a story that catches...

Unforgettable Movie Review

Unforgettable Movie Review

With heavy echoes of trashy thrillers like Fatal Attraction, this movie overcomes its painfully simplistic...

Advertisement
Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.