In the Valley of Elah

"Excellent"

In the Valley of Elah Review


Although Paul Haggis' gut-punch of a story, In the Valley of Elah, is the first truly great narrative film about the Iraq War, it only spends a total of maybe five minutes there. The rest of the time, Elah is back in the U.S., dealing with all the stomach-churning consequences of what the country has sent young men over the sea to do. For this war story, combat -- that terrifying adrenaline high that changes many soldiers forever -- would be a distraction. The film comes at the war elliptically, immersing viewers in a world of soldiers, veterans, military bases, and civilian hangers-on, where President Bush is always pontificating from a nearby radio or television and everyone gets their check, directly or indirectly, from the Pentagon.

Elah is set in late 2004, when previously pro-war segments of the population started seeing cracks in the official flag-waving rhetoric, and ugly rumors started flying about what was actually going on Over There. Haggis' hard-boiled script -- closely based on Mark Boal's harsh, eye-opening article, "Death and Dishonor," published in Playboy in 2004 -- takes the form not of a war film but of a mystery, hiding its disquieting revelations in a familiar structure. Retired military policeman Hank Deerfield (Tommy Lee Jones) finds out that his son Mike (Jonathan Tucker, from Haggis' short-lived TV show The Black Donnellys), currently serving in Iraq, went AWOL not long after coming home on R&R. Having already lost his other son to combat in Afghanistan, and convinced he's getting some sort of runaround from the army, Hank hops in his winded old pickup and heads to Mike's base looking for answers.

The structure of what follows could be taken straight from most any televised crime dramas. There's an onion-skin unlayering of truths about Mike and his squad, parsed out with an extra lashing of drama by the slow decoding of some mysterious combat-scene videos recorded on a cell phone Hank finds in Mike's room. The mood is appropriately somber, but leavened with the occasionally stab at humor. We even have a local detective, a tough but vulnerable single mom (played in a straightforward manner by a slightly too-glamorous Charlize Theron) looking to prove herself, to grudgingly help Hank out. The villains are not so clearly defined here, though, with everyone keeping quiet about everything happening in Iraq and the spiritual toll it's taking on the men coming back.

Haggis has come a long way as a filmmaker since 2004's Crash, learning to keep his more sprawling and melodramatic impulses under control; with the possible exception of the portentous title, taken from the Biblical valley where David faced off with Goliath. His script sticks close to the source article, keeping many of its most vivid details of military life, holding fictional additions to a minimum, and focusing on telling the same tough truths about war and soldiers. Even the police investigation scenes feel fresh and original.

There's hardly any fat in Elah, nearly every scene is snapped off with clipped professionalism by a crisply-performing cast and a director who seems to have learned a few tricks from his frequent collaborator in tough minimalism, Clint Eastwood (for whom this film was originally a vehicle). Roger Deakins' wintry, bleached-out cinematography neatly matches Jones' scraped-dry delivery and the generally bleak and unsentimental tone. Needless to say, Jones does titanic work here as the proud, working-class vet with his neatly creased slacks and courteous demeanor who begins to crack as the awful truth becomes clear. His final act in this achingly sad film is one of the most poignant expressions of betrayed patriotism ever to hit American theaters.

How green is his valley?



Facts and Figures

Run time: 121 mins

In Theaters: Friday 28th September 2007

Box Office USA: $6.6M

Box Office Worldwide: $26.5M

Budget: $23M

Distributed by: Warner Independent Pictures

Production compaines: Warner Independent Pictures (WIP), NALA Films, Summit Entertainment, Samuels Media, Blackfriars Bridge Films

Reviews

Contactmusic.com: 4 / 5

Rotten Tomatoes: 73%
Fresh: 115 Rotten: 43

IMDB: 7.2 / 10

Cast & Crew

Director:

Producer: Laurence Becsey, , Steven Samuels, Darlene Caamaño Loquet

Starring: as Hank Deerfield, as Detective Emily Sanders, as Joan Deerfield, as Evie, as Sergeant Carnelli, as Mike Deerfield, as Lieutenant Kirklander, as Chief Buchwald, as Corporal Penning, Jake McLaughlin as Specialist Gordon Bonner, as Specialist Ennis Long, Victor Wolf as Private Robert Ortiez, as Detective Nugent, as Detective Hodge, as Arnold Bickman, as Detective Manny Nunez (as Greg Serrano), as Angie, as Lt. Burke, as David Sanders, Glenn Taranto as Detective Wayne

Contactmusic


Links



Advertisement

New Movies

Hampstead Movie Review

Hampstead Movie Review

Deliberately appealing to older audiences, this undemanding comedy-drama comes with a hint of social relevance...

The Book of Henry Movie Review

The Book of Henry Movie Review

Apparently, this offbeat script had been making the rounds in Hollywood for some 20 years...

Transformers: The Last Knight Movie Review

Transformers: The Last Knight Movie Review

With this fifth Transformers movie, it seems clear that Michael Bay is still trying to...

Churchill Movie Review

Churchill Movie Review

This drama about the iconic British prime minister tells a darkly personal story set over...

Gifted Movie Review

Gifted Movie Review

This is one of those films that dances right up to the edge of soapy...

Whitney: Can I Be Me Movie Review

Whitney: Can I Be Me Movie Review

Notorious British filmmaker Nick Broomfield teams up with Austrian music documentary producer Rudi Dolezal to...

The Mummy Movie Review

The Mummy Movie Review

To launch their new Dark Universe franchise, Universal has taken an approach that mixes murky...

Advertisement
My Cousin Rachel Movie Review

My Cousin Rachel Movie Review

Daphne du Maurier's 1951 mystery-romance novel has been adapted for theatre, radio, TV and film,...

Wilson Movie Review

Wilson Movie Review

It's never helpful when a comedy becomes a bit too smug about its own quirkiness....

Interlude in Prague Movie Review

Interlude in Prague Movie Review

A fictionalised story from the life of Wolfgang Mozart, this lavishly produced period drama is...

The Hippopotamus Movie Review

The Hippopotamus Movie Review

This British satirical comedy may be a bit of a mess, but since it's based...

Detour Movie Review

Detour Movie Review

This may look like a rather typical American indie thriller, but British filmmaker Christopher Smith...

Wonder Woman Movie Review

Wonder Woman Movie Review

Boldly optimistic, this action-packed adventure breathes fresh life into the DC universe with a welcome...

Baywatch Movie Review

Baywatch Movie Review

Clearly, it's a risky proposition adapting a cheesy vintage TV series for the big screen:...

Advertisement
Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.